Same day.
Cut and delivered for social, YouTube and TV while the event was still running.
Quality Control Producer
Leadership role at the FIFA World Cup 2026 Non-Live Hub in London, working on the Enhanced Player Profiles. Before that: QC for the green-screen production at the FIFA Women’s World Cup 2023, Australia & New Zealand.
AWARD-WINNING PROJECTEnhanced Player Profiles – Winner, Best Use of Tech in a Sports Production, Broadcast Sport Awards 2026Sky News · Motorvision · DropinTV · freelance
Broadcast-trained. Now freelancing for international events and brands.
AI Artist for FIFA & the Volkswagen Group
Key visuals, AI spots and the production pipelines behind them, delivered for two global brands.
Generated, then edited.
Spec and personal AI work. Spec pieces are not commissioned by or affiliated with the brands shown.
Video editor
in Munich.
I'm Florian Schubert, a freelance video editor based in Munich. For more than 15 years I've been cutting brand films, sport, documentaries and social content for clients like Red Bull, WRC, Audi and DAZN. From Munich I work across Bavaria, Germany, Austria and Switzerland: on location, in-house or remote.
I trained as a media designer for audio and video (Mediengestalter Bild und Ton) and worked in broadcast at Sky News and Motorvision. For FIFA, I've been Quality Control Producer twice: for the green-screen production at the Women's World Cup 2023 in Australia and New Zealand, and in a leadership role at the World Cup 2026 Non-Live Hub in London. The Enhanced Player Profiles we produced there won Best Use of Tech in a Sports Production at the Broadcast Sport Awards 2026. What sets me apart: I make decisions fast, I know what a story needs, and I can handle the entire post-production myself, from edit and grade to sound, motion and delivery.
SELECTED WORK
- Audi e-tron Vision Gran TurismoAudi · Automotive · Brand film
A story-driven piece I co-edited with a colleague, working alongside one of my idols. - Werder Bremen: The DocumentaryDAZN · Werder Bremen · Documentary · Trailer
A career highlight: editing on the Werder Bremen documentary for DAZN. An incredible story and a great team. It taught me a lot about structure and storytelling. - M-Sport Ford WRC Livery RevealM-Sport · Alternatives138 · Motorsport · 2023
One of my first projects of 2023: automotive content with the team at Alternatives138. - Fortis Vagabond × Benny GrebFortis · What the Film · Branded content · Making-of
All I had was the footage and a short brief, plus full creative trust from What the Film. - WRC Rally Spain: OgierWRC · Motorsport · Same-day
Social clips and YouTube highlights cut on the fly, in tight sync with the editorial team. - The Aviation Story of FortisFortis · What the Film · Branded content · Watches
Swiss watchmaking: precision and design were the brief, so the edit had to match. - Keeping the Dream AliveITU / World Triathlon · Athlete feature
Para-triathlete Lauren Parker. One of the most honest and emotional pieces I’ve ever cut. - LAAX Open: Best of SlopestyleLAAX Open · DropinTV · Action sports · 3 seasons
Three years in a row on site for DropinTV: same-day content for social, YouTube and TV. - LAAX Open: Best of HalfpipeLAAX Open · DropinTV · Action sports
Same-day turnaround for distribution while the event was still running. - Jaguar I-Pace eTrophy Team GermanyJaguar · Viessmann · Motorsport · 2018/19
Campaign content for the electric one-make racing series. - Jaguar I-Pace eTrophy: Celia MartinJaguar · Motorvision · Motorsport · Interview
Driver portrait for the I-Pace eTrophy.
FAQ
Do you only edit, or do you handle the whole post-production process?
Both. You can book just the edit or the whole package: editing, color grading (Log, ACES, HDR, broadcast-safe), sound design and mix, motion design, AI generation, quality control and delivery in any format.
Do you only work in Munich?
No. I'm based in Munich, but I just as often work remotely for clients worldwide, in-house with your team or on location at events, in English or German.
How fast can I get my video?
At live events like the LAAX Open and WRC rallies, I've turned edits around the same day. On regular projects, I typically need about 30% less time than a standard post schedule. That comes from fast decisions in the cut, 15+ years of experience and workflows I keep refining.
What software do you use?
Avid Media Composer, Adobe Premiere Pro, After Effects, DaVinci Resolve, Frame.io for reviews, Blender for 3D, and current AI tools.
Do you also make AI videos?
Yes. I've created key visuals, AI spots and the production pipelines behind them for FIFA and the Volkswagen Group. I cut and finish AI footage just like footage from a real shoot.
How do I get started?
Send me an email or give me a call, ideally with a few lines on the project, timeline and scope. A brief, a rough idea or existing footage is enough to get going.